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© Next Limit Technologies 2010
Maxwell Render 2.5 User Manual
Chapter 12. Maxwell Studio | 110
Film Back
Focal Length (Lens size)
Angle of view (Field of view)
F.01 Camera concepts
By default Maxwell Studio has a standard perspective visualization mode that acts like
a camera, but without all the possibilities of a real Maxwell camera. It is not always
necessary to create a camera for your scene, but we do recommend it. It will give you
more control over the nal look of the image.
Use the viewport menu (right-click in the viewport) and choose “New Camera”, or press
CTRL + Shift + C, or right-click in the Cameras List panel and choose “New Camera”.
This will create a camera with the point of view of your current perspective view. You can
create as many cameras as you want.
* The Ctrl key in Windows corresponds to the Cmd key in Mac OSX, so wherever the Ctrl
key is used on a shortcut, Mac users should use the Command key.
Once a camera has been created, the camera frustum is displayed in the viewport as a thin
yellow frame. To switch to a camera viewport, click the Viewport Switch icon in the upper
left corner and choose the desired camera or double click on the camera in the Cameras
List panel.
Camera frustum (Yellow frame)
The camera frustum is adapted according to the resolution of the image set in the Camera
Parameters panel. When the render is launched from the camera view, only the region
inside the frustum is rendered. The same applies when you launch a viewport render.
Selecting a camera in the Camera List panel will display the properties of that camera in
the Camera Parameters panel.
F.01 Camera Frustum
Moving a Camera
Switch the viewport to “Camera View” and rotate, pan or zoom the view as explained
earlier (ALT + mouse). This mode only affects the origin of the camera. In order to pan
or rotate the camera as well as the target of the camera, use the shortcut ALT + SHIFT
+ mouse.
The camera can also be moved using its translate handles. Select the camera from the
Camera List panel, and press the move icon from the top row of icons. The translate
handles appear and you can move the camera without moving its target.
You can use the ‘L’ key on your keyboard to go through different camera move modes. By
default only the camera will move when using the transform handles.
- USER MANUAL 1
- 1 INTRODUCTION 5
- 1.03 Complete features list 6
- 2.02 Environment 8
- 2.03 Interactive workflow 8
- 2.04 Cameras 8
- 2.05 Materials 8
- 2.06 Learning curve 9
- 3 USING MAXWELL RENDER 10
- (9.3 UB) 11
- 3.02 Studio 12
- 3.04 Command Line 14
- 3.05 Network rendering 14
- 3.06 The Demo version 14
- 3.08 Licensing Maxwell Render 15
- 4 GETTING STARTED 17
- 5 CAMERAS 18
- 5.02 Optics 19
- 5.03 Sensor 20
- 5.04 Diaphragm 20
- 5.05 Rotary Disk Shutter 20
- 5.06 Shift Lenses 21
- 6 LIGHTING WITH EMITTERS 22
- 6.01 Custom 23
- F.06 Presets 24
- F.01 IES 24
- 6.02 Temperature of Emission 25
- 6.03 HDR Image 25
- 7.01 None 26
- 7.02 Sky Dome 27
- 7.03 Physical Sky 27
- F.01 Localition settings 28
- F.01 Atmosphere settings 28
- F.01 IBL settings 31
- 8.01 General 32
- 8.02 Output 33
- 8.03 Materials 34
- 8.04 Globals 34
- 8.05 Channels 34
- 8.06 Tone Mapping 36
- 8.07 SimuLens 36
- 8.09 Render Export Options 37
- 9.01.01 Top Menus 40
- F.01 MXI Batch Processing 41
- 9.01.02 Main Toolbar 42
- 9.01.03 Main Window 42
- 9.02.01 Scene 43
- 9.02.02 Output 44
- 9.02.03 Materials 44
- 9.02.04 Globals 45
- 9.02.05 Channels 45
- 9.03.01 Camera 46
- 9.03.02 Tone Mapping: 46
- 9.03.03 MXI 47
- 9.03.04 SimuLens™ 47
- 9.04 The Multilight™ Tab 48
- 9.04.01 File Options 49
- 9.04.02 Edit Options 49
- 9.04.03 View 49
- 9.04.04 Animated Timeline 49
- 9.04.05 Playback Controls 49
- 9.07 The Script Tab 50
- 9.05 The Right-click Menu 50
- 9.06 The Console Tab 50
- 9.07.01 Autocomplete 51
- 10 MAXWELL MATERIALS 52
- F.01 F.02 53
- F.04 Nd=1.6 F.05 Nd=30 54
- F.01 The Material Editor 54
- F.01 Material components 55
- F.01 Material preview 55
- F.01 BSDF properties 55
- F.01 Surface properties 55
- F.01 Subsurface properties 56
- 10.02.07 The Color Picker 58
- 10.02.08 The Texture Picker 58
- ) are copied. Hold Shift 59
- 10.03.01 Material properties 60
- 10.03.02 Layer properties 60
- F.01 Layer Properties 61
- 10.04 The BSDF 62
- F.01 Nd=1.6 F.02 Nd=30 63
- F.03 Nd=1 F.04 Nd=40 64
- 10.04.02 Surface Properties 67
- F.01 Circular angle map 68
- Internal Reflection 69
- Asymmetry = 0.0 74
- 1.0 0.8 0.6 0.4 0.2 74
- -0.2 -0.4 -0.6 -0.8 -1.0 74
- 10.05 Coatings 77
- 10.06 Displacement 78
- Gain: 2.5 79
- Gain: 12 79
- Gain: 32 79
- 10.07 Special features 80
- 10.08.01 The Material Browser 82
- 10.08.02 The Wizards 82
- 10.08.05 Material examples 83
- 11 THE NETWORK SYSTEM 84
- 11.02 The Manager 85
- 11.03 The Render Nodes 85
- 11.04 The Monitor 86
- 11.04.02 The Jobs panel 87
- 11.04.03 The Nodes panel 87
- 11.04.04 The Console panel 87
- 11.04.05 The Display panel 87
- 11.05 Setting up a render 88
- 11.06 The Merging process 91
- 12 MAXWELL STUDIO 94
- 12.01 Interface 95
- 12.01.02 Toolbar 98
- F.02 Docking panels in tabs 99
- F.03 Loading saving layouts 99
- 12.01.04 Panel Types 100
- 12.02 The Interactive Preview 102
- 12.03.01 Objects List 103
- 12.03.02 Instances List 104
- 12.03.03 Objects Parameters 104
- 12.03.04 Working with Objects 106
- F.01 Groups 108
- 12.03.07 Merging Objects 109
- Film Back 110
- Focal Length (Lens size) 110
- Angle of view (Field of view) 110
- F.01 Camera list 111
- F.01 Real Camera presets 111
- 12.04.03 Focusing the camera 112
- 12.05.01 The Material Editor 114
- 12.05.02 The Materials List 115
- F.03 The Material Browser 116
- F.04 Search in MXM Gallery 116
- MXM Gallery Preferences 117
- 12.06 Render Options panel 118
- 12.07 Environment panel 118
- F.07 Color Picker 119
- F.08 Console panel 119
- F.09 History Panel 119
- 13 MISCELLANEOUS 121
- 13.03 SDK 123
- WORKFLOW 129
- Progressive rendering 130
- AND EXIT CODES 132
- 17.01 Introduction 137
- 17.02 References 138
- 17.02.02 File Manager 140
- 17.02.03 Multilight 141
- 17.02.04 MXI 143
- 17.02.05 Scene 145
- 17.02.06 Render Events 150
- 17.03 Examples 151
- 17.03.02 Multilight example 153
- 18 APPENDIX V. GLOSSARY 159
- 19 CREDITS 165
- Credits 166
- 167
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