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Maxwell Render 2.5 User Manual
Chapter 8. Setting up the render output | 37
• Re. Caustics: Render direct reective caustics, indirect reective caustics, or
both. Direct reective caustics come from light that bounced off a specular reective
object and created caustic light patterns on any subsequent object. Indirect reective
caustics come from light that bounced off an object, then off a specular reective
object, and then created a caustic light pattern on any subsequent surface.
• Refr. Caustics: Render direct refractive caustics, indirect refractive caustics, or both.
Direct refractive caustics come from direct light that has passed through a transparent
material and has created a caustic light pattern on any subsequent surface. Indirect
refractive caustics come from light that has rst bounced off a surface, then passed
through a refractive object, and caused a caustic light pattern on any subsequent
surface.
8.09 Render Export Options
Due to the different characteristics of the available output formats, the required extra
channels for exporting, and the Multilight options, you have a wide range of export options
depending of the needs of your project.
We can show all the possibilities in this tree:
8.09.01 Multilight Disabled
Regarding the light emitters: you will get one single le with the contribution of
all emitters merged in one single image (RGB or RGBA if your output format supports
embedding alpha and you enable the alpha channel exportation).
Regarding the extra channels for exporting: you may want them to be
• Embedded into the main output le if its format supports this:
• EXR, TIFF and MXI will embed all the enabled extra channels into the main
render le.
• TGA and PNG can embed only the alpha channel into the main render le (RGBA).
The rest of the extra channels will be stored in independent les.
• JPG, BMP, JPG2000 and HDR do not support embedding alpha or any extra
channels. All the extra channels will be exported to independent les.
• Separate: getting independent les for all the required extra channels in all cases (all
formats)
8.09.02 Multilight Enabled
Regarding the light emitters: you may want to store each emitter contribution to
independent les or have them all as layers in one multi-layered le:
• Composite: all your light emitters will be stored as different layers in one multi-layered
le, in those formats that allow multiple layers (EXR, TIFF and MXI). For the rest of
the formats (TGA, PNG, JPG, BMP, JPG2000 and HDR) the emitters will be stored as
independent les, as those formats do not support multiple image layers.
• Separate: you will get a collection of individual les corresponding to the different
emitters in the scene.
Regarding to the extra channels exportation: you may want them to be
• Embedded into the main output le if its format supports this:
• EXR, TIFF and MXI will embed all the enabled extra channels into the main
render le.
• TGA and PNG can embed only the alpha channel into the main render le (RGBA).
The rest extra channels will be stored to independent les.
• JPG, BMP, JPG2000 and HDR do not support embedding alpha or any extra
channels. All the extra channels will be exported to independent les.
• Separate: getting independent les for all the required extra channels in all cases (all
formats)
Keep in mind that in order to get the alpha channel embedded in the main render le (in
those formats that support embedded alpha), you have to set the exportation of the alpha
channel at the same bit depth as the main render le. Otherwise it will be exported to an
independent le with the indicated bit depth and format.
The MXI les (containing all the emitters and all the extra channels) can be opened in
Maxwell Render, or in Adobe Photoshop, Adobe After Effects and Nuke through the Import
MXI connection plug-ins (See chapter 3.01.02).
- USER MANUAL 1
- 1 INTRODUCTION 5
- 1.03 Complete features list 6
- 2.02 Environment 8
- 2.03 Interactive workflow 8
- 2.04 Cameras 8
- 2.05 Materials 8
- 2.06 Learning curve 9
- 3 USING MAXWELL RENDER 10
- (9.3 UB) 11
- 3.02 Studio 12
- 3.04 Command Line 14
- 3.05 Network rendering 14
- 3.06 The Demo version 14
- 3.08 Licensing Maxwell Render 15
- 4 GETTING STARTED 17
- 5 CAMERAS 18
- 5.02 Optics 19
- 5.03 Sensor 20
- 5.04 Diaphragm 20
- 5.05 Rotary Disk Shutter 20
- 5.06 Shift Lenses 21
- 6 LIGHTING WITH EMITTERS 22
- 6.01 Custom 23
- F.06 Presets 24
- F.01 IES 24
- 6.02 Temperature of Emission 25
- 6.03 HDR Image 25
- 7.01 None 26
- 7.02 Sky Dome 27
- 7.03 Physical Sky 27
- F.01 Localition settings 28
- F.01 Atmosphere settings 28
- F.01 IBL settings 31
- 8.01 General 32
- 8.02 Output 33
- 8.03 Materials 34
- 8.04 Globals 34
- 8.05 Channels 34
- 8.06 Tone Mapping 36
- 8.07 SimuLens 36
- 8.09 Render Export Options 37
- 9.01.01 Top Menus 40
- F.01 MXI Batch Processing 41
- 9.01.02 Main Toolbar 42
- 9.01.03 Main Window 42
- 9.02.01 Scene 43
- 9.02.02 Output 44
- 9.02.03 Materials 44
- 9.02.04 Globals 45
- 9.02.05 Channels 45
- 9.03.01 Camera 46
- 9.03.02 Tone Mapping: 46
- 9.03.03 MXI 47
- 9.03.04 SimuLens™ 47
- 9.04 The Multilight™ Tab 48
- 9.04.01 File Options 49
- 9.04.02 Edit Options 49
- 9.04.03 View 49
- 9.04.04 Animated Timeline 49
- 9.04.05 Playback Controls 49
- 9.07 The Script Tab 50
- 9.05 The Right-click Menu 50
- 9.06 The Console Tab 50
- 9.07.01 Autocomplete 51
- 10 MAXWELL MATERIALS 52
- F.01 F.02 53
- F.04 Nd=1.6 F.05 Nd=30 54
- F.01 The Material Editor 54
- F.01 Material components 55
- F.01 Material preview 55
- F.01 BSDF properties 55
- F.01 Surface properties 55
- F.01 Subsurface properties 56
- 10.02.07 The Color Picker 58
- 10.02.08 The Texture Picker 58
- ) are copied. Hold Shift 59
- 10.03.01 Material properties 60
- 10.03.02 Layer properties 60
- F.01 Layer Properties 61
- 10.04 The BSDF 62
- F.01 Nd=1.6 F.02 Nd=30 63
- F.03 Nd=1 F.04 Nd=40 64
- 10.04.02 Surface Properties 67
- F.01 Circular angle map 68
- Internal Reflection 69
- Asymmetry = 0.0 74
- 1.0 0.8 0.6 0.4 0.2 74
- -0.2 -0.4 -0.6 -0.8 -1.0 74
- 10.05 Coatings 77
- 10.06 Displacement 78
- Gain: 2.5 79
- Gain: 12 79
- Gain: 32 79
- 10.07 Special features 80
- 10.08.01 The Material Browser 82
- 10.08.02 The Wizards 82
- 10.08.05 Material examples 83
- 11 THE NETWORK SYSTEM 84
- 11.02 The Manager 85
- 11.03 The Render Nodes 85
- 11.04 The Monitor 86
- 11.04.02 The Jobs panel 87
- 11.04.03 The Nodes panel 87
- 11.04.04 The Console panel 87
- 11.04.05 The Display panel 87
- 11.05 Setting up a render 88
- 11.06 The Merging process 91
- 12 MAXWELL STUDIO 94
- 12.01 Interface 95
- 12.01.02 Toolbar 98
- F.02 Docking panels in tabs 99
- F.03 Loading saving layouts 99
- 12.01.04 Panel Types 100
- 12.02 The Interactive Preview 102
- 12.03.01 Objects List 103
- 12.03.02 Instances List 104
- 12.03.03 Objects Parameters 104
- 12.03.04 Working with Objects 106
- F.01 Groups 108
- 12.03.07 Merging Objects 109
- Film Back 110
- Focal Length (Lens size) 110
- Angle of view (Field of view) 110
- F.01 Camera list 111
- F.01 Real Camera presets 111
- 12.04.03 Focusing the camera 112
- 12.05.01 The Material Editor 114
- 12.05.02 The Materials List 115
- F.03 The Material Browser 116
- F.04 Search in MXM Gallery 116
- MXM Gallery Preferences 117
- 12.06 Render Options panel 118
- 12.07 Environment panel 118
- F.07 Color Picker 119
- F.08 Console panel 119
- F.09 History Panel 119
- 13 MISCELLANEOUS 121
- 13.03 SDK 123
- WORKFLOW 129
- Progressive rendering 130
- AND EXIT CODES 132
- 17.01 Introduction 137
- 17.02 References 138
- 17.02.02 File Manager 140
- 17.02.03 Multilight 141
- 17.02.04 MXI 143
- 17.02.05 Scene 145
- 17.02.06 Render Events 150
- 17.03 Examples 151
- 17.03.02 Multilight example 153
- 18 APPENDIX V. GLOSSARY 159
- 19 CREDITS 165
- Credits 166
- 167
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